But with a wink of his eye - or, wait, is that a tear? - the tender and knowing “Sob Rock” is his testament to how hard it is getting easy right.
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Mayer’s sore-throat voice sounds so cooled-out in that one that you can almost picture him lying down as he sings. I need to scan docs into digital files for presentation tomorrow - my Canon Pixma MX430 is not doing the scanning feature I bought it for. Canon printer driver is an application software program that works on a computer to communicate with a printer.
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Then there’s “Shouldn’t Matter But It Does,” a strummy, slow-mo ballad about another broken relationship in which he ponders what might’ve been: “It could have been always / It could have been me / We could have been busy naming baby number three.” Hi, we can scan from canon mx430 printer wirelessly to our computer - these are then saved as pdf files. In the wistful “Shot in the Dark,” one of several tunes with backing vocals from country star Maren Morris, Mayer longs for an ex by rhyming “I want you in the worst way” with “Is the gate code still your birthday?” - an instant-classic addition to the ranks of great monied L.A. Where The Light Is, directed by Danny Clinch, showcases Grammy-winning singer/songwriter John Mayer in a special three-set concert: an intimate acoustic. As with Henley, what brings you around to Mayer’s side is his songwriting - the luscious melodies in “Why You No Love Me” and the Dire Straits-ish “Wild Blue” and the vivid images in “Carry Me Away” (“You carnivore, you loose cannon”) and “New Light,” where his self-pity takes this gorgeous shape: “I’m the boy in your other phone / Lighting up inside your drawer at home, all alone.”
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